The QB12 stomps through action like a steam train. It hits you in the stomach and takes your entire body with it. The QB12 isn’t brute force. It’s also precise, detailed, and quite dynamic. Before you decide to spend your hard-earned money on a QB12 subwoofer, there are three things you need to think about: space, budget and neighbours.
These are your only options if you’re looking for a larger Q Acoustics surround speaker system or to improve the low-end response of your home cinema setup. Subs were added to the range of wireless multi-room specialists by Q Acoustics. This showed that the company was concerned about sound and could have recognized the weaknesses in its One and Play:5 systems. Although it is small and lightweight, we are impressed at what it can do.
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The Sub’s similar sonic characteristics make it easy to integrate with other wireless speakers from the company. The bass lines can be controlled well, even though they are a bit fat. You can see the difference in dynamics when you switch the Sub on/off. The Polk Audio PSW111 subwoofer is not only a great compact subwoofer but also a perfect match for the brand’s RM or SurroundBar speakers systems.
The Polk Audio PSW111 would not work well with any other Polk speakers or any other manufacturer’s speaker systems, but its primary purpose is to provide bass for the SurroundBar Series and RM speakers. The PSW111’s performance was unsurpassed based on listening sessions with SurroundBar 50. It measures 12.1 inches in height, 11 inches wide and 13 inches deep.
Although the PWS111’s elegantly rounded cabinet with a nicely finished cloth grille gives it a touch of style, it is otherwise very discreet. It is lightweight at 20.3 pounds. Only the matte-black version of the PSW111 is available. The sub’s 8-inch composite woofer front-firing is mated to a 150-watt (300-watts on peaks), power amplifier. Rear panel contains an adjustable crossover, phase switch, and subwoofer volume controls.
The connectivity options include stereo speaker-level and line level inputs as well as a direct LFE line-level input and a selection of speaker-level outputs. The vast majority of the recorded music art we have been given is very well-recorded, but it has yet to be reproduced fully. I have played an album countless times and wondered if I was the first to hear it sound so clear and detailed.
Audiophiles know that great recordings can only be enjoyed when they are reproduced at the highest quality. The best audio systems can be enjoyed when they play great recordings. It’s like a horse-and-cart thing. The SVS SB-3000, a compact-powered subwoofer, was recently released. It’s $600 less, has a few more cubic inches, and is 37 lbs lighter than its predecessor, the SVS SB13 Ultra.
Although its amplifier is smaller (800W vs. 1000W), it has a lower rated frequency response: a stygian 18, compared to the SB13 Ultra’s only stentorian 20,Hz. What loudspeakers are audio professionals familiar with? Why should we care? It’s not like recording engineers are music-loving, sophisticated, music-loving people who read Stereophile. Many audio professionals don’t love music as much as they might like to.
They view musical instruments’ original sounds as raw materials that can be creatively reshaped or manipulated. Kal Rubinson was very pleased with JL Audio’s Fathom f113v subwoofer. Its amplifier’s superior power to the original f113, its stronger 13″ woofer, improved 18-band Digital Automatic Room Optimization, (DARO) and significantly improved deep-bass in-room response were all highlights.
This was not surprising considering Kal had written the May 2007 review of the Fathom f113. He would praise the sub’s power, small size and built-in single band Automatic Room Optimization (ARO), as well as its “remarkably powerful, clean and deep” bass. SVS is the market leader in subwoofers. SVS is the only company that consistently makes subs with excellent bass and great design at affordable prices.
We think the SVS SB-1000 Pro sub is one of their best. The compact cabinet produces up to 325 Watts of powerful bass and works well with speakers from almost any brand. The SB-1000 Pro’s audio quality is exceptional. It doesn’t compromise clarity or grunt. Although there are better subwoofers for larger rooms (see below), the overall quality of the SB-1000 Pro is unbeatable.
The SB-1000 Pro was so popular that it became our standard subwoofer for testing other audio gear. The main problem with the SB-1000 Pro? Its low power. It may not be sufficient for larger rooms, such as those with more than 250 square feet. SVS’s SB-3000, which is a more powerful option (below), may be a better option. The SB-1000 Pro model is recommended for those who don’t have the budget.
Not to be overlooked: SVS also offers a ported model called the PB-1000 Pro. This delivers even stronger sound. RSL’s Speedwoofer 10S was a standout performer in a 5.1 speaker set that otherwise would not have been considered Top Pick. The subwoofer produces a bass that is deep, solid, and well-defined. Michael Trei, a reviewer, summarized the experience as follows: “Bass definition was excellent and tunefulness was excellent.
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It made it easy to follow Charlie Haden’s bend of notes on his big-acoustic bass.” This is a great combination for only four hundred dollars. The latest subwoofers by SVS are affordable and deliver outstanding performance. The new, compact SB-1000 sealed subwoofer and its ported brother, the PB-1000 Pro are equipped with the best-in-class company app. This makes it easy to set-up and tune the sub’s performance.
David Vaughn, bass expert, switched out his SVS SB-3000 subwoofer (our 2019 Top Pick in subwoofers), for the new models. He tested them in a 1,200-square-foot room. The SB-16 Ultra has been in our testing chambers since many months. We don’t have to move it (although it is a heavy 122 pounds), but we haven’t found any worthy replacement.
The subwoofer is our standard, and it might be unfair to other competitors. It’s so good. The cuboid SB-16 has a stylish, sleek exterior that houses a massive 16-inch Ultra driver, an 8-inch edge-wound voice coil and a 1,500-watt continuous Sledge amp with discrete MOSFET output. It tops out at 5,000 W peak power.
It doesn’t matter what you use the SVS SB-16 for, it will impress. Film explosions and gunshots register with a strong thump to your chest. The sub handles low-end instrumentation well, allowing acoustic basses to bounce easily while electronic bass and kick drums shake your home. This subwoofer is our top pick.
